The Important Women Collection: A Tribute in Pastel and Watercolor
- Women of Color In the Workplace
- Jul 18
- 2 min read

When I pick up my brushes and lean over a fresh sheet of paper, I think about the women whose lives have shaped the way I see the world. Some are legends whose names are etched into history; others are bold new voices redefining what it means to lead, create, and inspire. Together, they form the heart of my newest body of work—The Important Women Collection.
This series is deeply personal to me. Each painting began as a spark: a memory of Angela Bassett’s commanding presence on screen, the rhythm of Maya Angelou’s words echoing through time, the quiet power of Ruth Bader Ginsburg’s dissents, or the unapologetic energy of Megan Thee Stallion redefining artistry and confidence for a new generation.
Through soft pastels and luminous watercolors, I wanted to capture more than their likeness. I wanted to catch their essence—the grace they carry, the grit they’ve shown, and the tender fire that drives them. The medium itself felt symbolic: pastels and watercolors are gentle and fluid, yet capable of profound depth and bold expression.
Why “Important Women”?Because each of these women, in her own way, has shifted the cultural landscape. Some have opened doors that generations now walk through freely. Others are breaking barriers in real time, showing us what it looks like to stand unapologetically in your power. Together, they remind me (and hopefully you) that influence doesn’t belong to one era—it’s alive, growing, and evolving.
What I hope you feel:When you explore this collection, I hope you see more than portraits. I hope you feel a connection to these stories—a reminder that courage and artistry take many forms. I hope you feel inspired, seen, or maybe even called to tell your own story in color.
You can view and collect pieces from The Important Women Collection here: www.juleneallensart.com/shop
Thank you for celebrating these icons with me. May their grace and grit light the way for us all.
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